PARIS PANAME
composition per elements

W. 457 x H. 77 x D. 150 cm

Design Bruno MOINARD

Upholstered in Partition fabric (60% cotton, 40% viscose). Seat cushions in HR foam 40kg/m3 and cotton batting. Back cushions in foam 18S and cotton batting. Lumbar cushion in 100% goose and duck feathers. Structure in solid fir wood and pine plywood. XL cross-webbing elastic straps suspension. Crossbar base in metal, brushed brass finish. Also available in other dimensions.

Manufactured in Europe.
...

£11,080

1 Products

Price exclusive of delivery, available in all UK showrooms.

Includes:

Consisting of: One large wave unit, left L. 213 x H. 77 x D. 111 cm + one armless chair, right L. 90 x H. 77 x D. 95 cm + one large wave unit, right L. 213 x H. 77 x D. 111 cm

Other versions available in the showroom

3-seat sofa - W. 217 x H. 77 x D. 111 cm
Large armchair - W. 117 x H. 77 x D. 95 cm

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Customisation

Not all colours and finishes are visible online. Almost all Roche Bobois products can be customised and are available in a wide range of materials, colours, and dimensions. Please contact your local showroom for more details.

Design

Bruno Moinard

Bruno Moinard is an accomplished artist, working as a designer and interior designer, scenographer, painter and photographer. In 1979, he joined Andrée Putman and Ecart International, before founding his own architectural firm, 4BI, in 1995. His signature style is based on the affectionate integration of French Culture into his projects. For Roche Bobois, he designed the Paris Paname collection. Within one collection, two design languages combine: the first one speaks of volume and wooden textures, and the second is lighter and more geometrically-centered. The result is a cohesive collection that allows the combination of different forms and materials, mixing clean lines with sensual elegance. “I imagined pieces of furniture that you would never get tired of. Pieces that would stand the test of time. I wanted to give character and precision to shapes and materials inspired by the 1950s. I sought to create sensations without too much ostentation. This furniture collection is like a chameleon: it is both classic and modern, without overshadowing the volumes.”

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